{"id":131,"date":"2016-02-01T01:10:28","date_gmt":"2016-02-01T01:10:28","guid":{"rendered":"http:\/\/johnmarksherlock.ca\/11\/?p=131"},"modified":"2025-10-08T02:55:07","modified_gmt":"2025-10-08T02:55:07","slug":"list-of-works","status":"publish","type":"post","link":"https:\/\/johnmarksherlock.ca\/11\/?p=131","title":{"rendered":"list of (other) works"},"content":{"rendered":"

Impostures Intellectuelles<\/strong><\/span>
\n[formally Defeat of the Cynics]
\n<\/strong>wurlitzer, clavinet\/pianet, rhodes, 2 gtrs, cymbal, pre-recorded audio
\nPremi\u00e8red November 2012, Tranzac Club, Toronto as part of 416 Improvisation Festival<\/p>\n

las lajas\u00a0(the sails)<\/span>
\n<\/strong>open instrumentation<\/p>\n

sirens of titan<\/span>
\n<\/strong>open instrumentation<\/p>\n

harmoniums of mercury<\/span>
\n<\/strong>open instrumentation<\/p>\n

godless<\/strong><\/span>
\nvla, harp, fl or\u00a0open instrumentation
\n<\/span><\/p>\n

triumph<\/strong><\/span>
\nfl\/picc, ob\/eh, 2 vln, vla, vcl, keybd, per or\u00a0open instrumentation
\n<\/span><\/p>\n

dauphin, no more<\/strong><\/span>
\nfor Recorder Quintet or open instrumentation<\/span><\/p>\n

exit the plutocrats<\/strong><\/span>
\npremi\u00e8red by the neither\/nor ensemble at somewherethere, Toronto<\/span><\/p>\n

stagger harlequin thresh<\/strong><\/span>
\nopen instrumentation<\/span><\/p>\n

without<\/strong><\/span>
\nopen instrumentation<\/span><\/p>\n

a(n) ash<\/strong><\/span>
\nto Agnes Aurora Sherlock Hernandez
\nopen instrumentation<\/span><\/p>\n

a just society<\/strong><\/span>
\nopen instrumentation<\/span><\/p>\n

for Anne Bourne<\/strong><\/span>
\nvoice, vcl<\/span><\/p>\n

Republic of Canada<\/strong><\/span>
\npremi\u00e8red July 2008, Rattlestick\/ListenSpace, Manhattan\/Brooklyn, New York<\/span><\/p>\n

imperial noise<\/span>
\n<\/strong>open instrumentation<\/p>\n

las orqu\u00ed\u00addeas de Cuba\u00a0<\/strong><\/span>(the orchids of Cuba)
\nI.<\/strong>\u00a0las mismas miserias
\nII.<\/strong>\u00a0these are my credentials
\nIII.<\/strong> no hay nadie: a Dra.Yenisey Hernandez Infante
\norchestra<\/span><\/p>\n

for Licia Mariaelisa Teresa Donadonibus<\/strong><\/span>
\nstring quartet, cimbalom(alt. Clavinet), Cloud Chamber Bowls
\nCommissioned by NUMUS
\nPremi\u00e8red at Open Ears Festival<\/p>\n

belladonna<\/strong><\/span>\u00a0(revised)
\nI MAria VIctoria
\nII Donna
\nviola, 19 tone guitar, chromelodeon, 3 Hosaphones
\nfor Critical Band
\nPremi\u00e8red November 18, 2001 at the Music Gallery, Toronto<\/p>\n

Rose Madder<\/strong><\/span>\u00a0(revised)
\nvln, vla, vcl
\nPremi\u00e8red February 9, 2001 at the Music Gallery, Toronto<\/p>\n

women<\/strong><\/span> [withdrawn][re-instated]
\n3 Violas d\u2019amore<\/p>\n

Thomas Georgi, multi-track on Youtube<\/a><\/p>\n

belladonna<\/strong><\/span>
\nviolin, 19 tone guitar, chromelodeon
\nfor Critical Band
\nPremi\u00e8red at Microstock, Los Angeles, Spring 1999<\/p>\n

bracelet<\/strong><\/span>
\npno<\/p>\n

Rose Madder<\/strong><\/span>
\nvln, vla, vcl
\nPremi\u00e8red May 30th, 1996 at the Music Gallery, Toronto
\nby Michelle Denning, Elizabeth Reid and Alyissa Wright<\/p>\n

stainless<\/strong><\/span>
\npno, vib, gl
\nfor Linda C. Smith and Rick Sacks
\nPremi\u00e8red June 22nd, 1996 at the Music Gallery
\nby Stephen Clarke and Richard Moore<\/p>\n

She I You<\/strong><\/span>
\nchamber orchestra<\/p>\n

Naught Queen\u2019s Knavel<\/strong><\/span>
\n3 percussionists
\nfor Bryan Malito
\nPremi\u00e8red September 3rd, 1994 at Von Kuster Hall, London<\/p>\n

leaving<\/strong><\/span>
\n2 vln, vla, cl, 2 tbn, 2 pno
\nPremi\u00e8red at the Music Gallery, Toronto<\/p>\n

Dying Matador Dying\u00a0<\/strong><\/span>(Beckett)
\nchamber orchestra
\nPremi\u00e8red at Von Kuster Hall, London<\/p>\n

Soft Addiction<\/strong><\/span>
\nharmonium, tape
\nPremi\u00e8red at the London Public Library, London<\/p>\n

Faded Fragment of an Illumination<\/strong><\/span>
\nfl, alt. fl, pno
\nPremi\u00e8red at Von Kuster Hall, London<\/p>\n

Cathedral Skyscraper<\/strong><\/span>
\npicc. tpt, 2 tpt, 2 hrn, 2 tbn, tba, tape
\nPremi\u00e8red at Von Kuster Hall, London<\/p>\n

Punishment\u00a0<\/strong><\/span>(Heaney)
\nsop, hrp, pno
\nPremi\u00e8red at Von Kuster Hall, London<\/p>\n

Notre Dame\u00a0<\/strong><\/span>(0ne of the high windows of the nave)
\nsop, alto, tape
\nPremi\u00e8red at Talbot Hall, London<\/p>\n

Fall Collection<\/strong><\/span>
\nfl, vln, vla, vib, hrp, pno<\/p>\n

Viragos<\/strong><\/span>
\norchestra<\/p>\n

The Cinnamon Peeler<\/strong><\/span>\u00a0(Ondaatje)
\nbar, sop, bsn, vla, orgPremi\u00e8red at Von Kuster Hall, London<\/p>\n

\u2026with Heaven full of astronauts<\/strong><\/span>
\nfl, ob, cl, bsn, vln, vla, vcl, db
\nPremi\u00e8red at Von Kuster Hall, London<\/p>\n

For Romina: Three Poems Set in a Ring\u00a0<\/strong><\/span>(Anon., Pound, Beckett)
\nmezzo, cl, vln, vla, vcl
\nPremi\u00e8red at Von Kuster Hall, London<\/p>\n

Three Songs<\/strong><\/span>
\n2 pianos<\/p>\n

Music When Soft Voices Die<\/strong><\/span>\u00a0(Shelley)
\nSSAA, vln, celesta
\nPremi\u00e8red at Von Kuster Hall, London<\/p>\n","protected":false},"excerpt":{"rendered":"

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